Examinando por Autor "Munaris Parco, Sonia Beatriz"
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Ítem Car Wash a Sexist Job in the Peruvian Andes(Journal of Ecohumanism, 2025-02-07) Gutiérrez Gómez, Edgar; Munaris Parco, Sonia Beatriz; Janampa Patilla, Hubner; Quispe Arroyo, Adolfo; Auccatoma Tinco, RolyThe objective of the research was to analyze how car wash work in the Peruvian Ande promotes sexist attitudes, especially through advertising featuring half-naked young women. The method used was ethnography, with participant observation and informal interviews, due to the social and informal nature of this type of work. The researchers' integration into the community of car washers, both as clients and as frequent passersby, was key to interacting with workers and clients on public roads, where labor practices are carried out illegally. The information collected was processed through field notes and reflection on the data obtained. It is concluded that informal car wash work in the Peruvian Ande perpetuates sexist attitudes, mainly through sexualized advertising of women. Despite the promotion of gender equity by the central government, local governments minimize these policies to preserve their popularity, which allows the continuity of sexist practices within this informal sector.Ítem Sexist advertising of women car washers in the Andean mountains(Frontiers in Sociology, 2025-04-08) Aspur Barrientos, Jaime Carmelo; Gutiérrez Gómez, Edgar; Moscoso Paucarchuco, Ketty Marílu; Munaris Parco, Sonia Beatriz; Quispe Rodríguez, JuanThe struggle for gender equity is progressing positively; however, the Peruvian highlands, characterized by its predominantly macho characteristics, lags behind in achieving this equity. The study on sexist advertising in car wash centers in the Peruvian highlands was conducted based on participant observation and interviews with the main actors who display sexist advertising posters on public roads. The objective of this study is to analyze the sexist implications of advertising posters with images of young women in skimpy clothing, exposing their body parts in full color while sensuously bathing in water, soap, and shampoo foam. This serves as an advertising hook to attract male customers seeking car washing services. However, it is concluded that this form of illegal advertising and labor practice is deemed sexist, as it lacks prior control by local authorities and violates principles of individual privacy and ethics. Sexism in car washes in the Peruvian highlands reaffirms the macho behavior of both private and public car drivers.Ítem Simbolismo en la comunicación intersubjetiva de las paradas de autobús urbano en el ande(Revista Austral de Ciencias Sociales de la Universidad Austral de Chile, 2025-07-04) Gutiérrez Gómez, Edgar; Munaris Parco, Sonia BeatrizEsta investigación etnográfica explora la comunicación simbólica intersubjetiva que emplean los pobladores andinos en su vida cotidiana, específicamente en el contexto de las paradas de autobuses urbanos. Se evidencia un entendimiento simbólico compartido entre quienes participan en el sistema de transporte, lo que permite una interacción eficiente y armónica. Objetivo: Identificar y explicar las formas de comunicación simbólica intersubjetiva utilizadas por los pobladores andinos en las paradas de buses urbanos, considerando tanto a los actores humanos involucrados como a los elementos del entorno que evocan o definen estos espacios en la vida diaria. Metodología: Se aplicaron técnicas como la observación participante, entrevistas informales y el análisis de comportamientos dentro del sistema de transporte. Además, se estudiaron expresiones simbólicas como gestos, señales y signos asociados a las paradas de autobús. Conclusión: Se observa una comunicación simbólica fluida entre quienes intervienen en el transporte público urbano, sin generar conflictos relacionados con la seguridad vial. Elementos como movimientos corporales, señales manuales y referencias naturales permiten coordinar acciones como el ascenso, descenso, cobro y pago, manifestando una integración cultural profundamente arraigada en el contexto andino.Ítem Sociocultural Context of the Yoruba Religion in Cuba: Cultural Legacy of the Transculturation Process(Millah: Journal of Religious Studies, 2025-02-28) Gutiérrez Gómez, Edgar; Baby Ramírez, Yousy; Janampa Patilla, Hubner; Munaris Parco, Sonia BeatrizThe national cultures of Latin America and the Caribbean owe an important part of their historical formation to the settlement of enslaved Africans during the XVI - XIX centuries. The religions of African antecedents in Cuba constitute hard nuclei of cultural resistance, where the process of transculturation has left its mark. The study analyzes diverse epistemological positions of some researchers, as well as oral testimonies of religious and practitioners. The research is based on a systematic review with a critical approach based on the method of analysis and synthesis. The results offered reveal that religions of African origin have contributed significantly to the development of Latin American and Caribbean cultural identity. The resurgence of the Yoruba religion in Cuba is an example of the cultural legacy inherited from the transculturation process and passed down from generation to generation, enduring over time.Ítem The spectacle of feminism and machismo in two Peruvian cumbia singers: Marisol and Tony Rosado(Frontiers in Sociology, 2023-06-08) Gutiérrez Gómez, Edgar; Munaris Parco, Sonia BeatrizThe objective of this research is to analyze and interpret the entertainment section of the most important media in Peru, concentrated on two private companies: Grupo La República and Grupo El Comercio, with great journalistic dominance of national information. The entertainment section is as old as the foundation of the newspapers themselves. The method of analysis with qualitative documents has allowed us to reach the conclusion that the fight for gender equality promoted by the government is a spectacle for the national press. The entertainment section of the Peruvian press has exposed the private lives of representative characters such as the singers Marisol, “La Faraona de la Cumbia” and Tony Rosado, “El Ruiseñor de la Cumbia”, from there the differences in feminism tolerated in Marisol and machismo censored in Rosado are popularized. It is concluded that the exposure of the struggle for gender equality is entertainment news where machismo and feminism are underhandedly justified with the parameter established with these public figures, that is, Peruvian cumbia singer–songwriters, and that offers evidence of the tolerance to the feminine voice that incites machismo, justifies the mistreatment of men and makes the male complaint a synonym of cowardice.